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How To Differentiate Characters:
In this tip section we'll focus on creating differentiated characters,
making each character unique and consistent. Character
Writer helps with this by providing a unique character spine
based on your choices and established character types, and by
offering tools throughout the writing process to keep the characters
consistent.
What else can you do to set your characters apart from each other?
Professionals have tricks to keep characters differentiated.
Tip #1:
This is a subtle trick that has more impact than you might think.
It's based on the observation that some people say names before
a sentence and others after. "Bobby, how's that carburetor
coming?" vs. "How's that carburetor coming, Bobby?"
Decide on which style your character uses and stick with it. If
you have, for instance, two characters that work together and
you want to keep them unique, try this trick. After a while, the
reader won't have to keep track of the speaker, they'll know instantly
by the style.
Also, some people start sentences with "well," or "okay."
Others end with "right?" a lot. Try to keep these tags
to a minimum, but if you use them, use them consistently and you'll
find your characters better defined.
Tip #2:
Ever notice how some people seem to have well-thought-out sentences
using an extensive vocabulary, while others just blurt stuff out?
Here's an easy way to get that effect into your dialogue. First,
write a rough draft of your conversation like usual--be as off-the-top-of-the-head
as possible. Make sure all the sub-text is there and the points
are coming through. When you get to polishing the dialogue, ignore
one character--whatever came out in the rough is how it will be--and
polish the other person's dialogue with a thesaurus and grammar
check, etc. You can take this polishing to whatever extremes you
want, but subtly over-polishing one character while under-polishing
another creates a very realistic effect.
Tip #3:
Sometimes a writer will put a recurring motif into a story that
gives it cohesiveness. You can also do this, to a certain extent,
with a character. Choose different motifs for each character and
you'll get a very effective separation. One character may have
a food motif, where everything he says or does somehow subtly
refers to food, or money, or clothing. Sometimes subtle motifs
can contrast two characters on a sub-conscious level. If you build
a motif of greed with one character and a motif of giving with
another, when they meet, their speech will contrast, and conflict
will be more believable. This can be especially effective if the
references are subtle, although it also works if they lay it all
on the table.
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